I finally got around to skimming the New York Times editions from last week (I get daily email synopses). Knowing me, you can guess that the first thing I did when I read the headline “Researches Play Tune Recorded Before Edison“, was to read the whole thing.
Until now, the earliest known sound recording was Edison’s 1877 “Mary had a little lamb” experiment. Now we have a woman’s voice recorded in 1860 by a Parisian printer and librarian named Edouard-Leon Scott de Martinville. (In a self-published memoir in 1878, he railed against Edison for “appropriating” his methods and misconstruing the purpose of recording technology. The goal, Scott argued, was not sound reproduction, but “writing speech, which is what the word phonograph means.”)
The 10-second recording of a singer crooning the folk song “Au Clair de la Lune” was discovered earlier this month in an archive in Paris by a group of American audio historians. It was made, the researchers say, on April 9, 1860, on a phonautograph, a machine designed to record sounds visually, not to play them back. But the phonautograph recording, or phonautogram, was made playable — converted from squiggles on paper to sound — by scientists at the Lawrence Berkeley National Laboratory in Berkeley, Calif.
More coolness — he attempted audio recordings as early as 1853, but they are unintelligible (for now, anyway).
[The] device had a barrel-shaped horn attached to a stylus, which etched sound waves onto sheets of paper blackened by smoke from an oil lamp. The recordings were not intended for listening; the idea of audio playback had not been conceived. Rather, he sought to create a paper record of human speech that could later be deciphered.
I still give Edison his due, however, since it only took about 150 years for us to figure out how to even listen to the phonautograph! Edison at least figured out how to record AND play.
You can have a listen to the recording here: http://graphics8.nytimes.com/audiosrc/arts/1860v2.mp3

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